Architectural Views from the Collection of Jay McDonald

1 June - 31 July 2015 | Press Release | Share Exhibition

Charles Nègre, Notre-Dame, Paris, circa 1853, waxed paper negative, 33.8 x 23.9 cm

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Charles Nègre, Notre-Dame, Paris, circa 1853, salt print from a paper negative,
32.8 x 23.2 cm

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Captain Linnaeus Tripe, Tsagain Myo, Ruined Tazoung, Burma, 1855, albumenized salt print from a waxed paper negative, 26.6 x 34.6 cm

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Édouard Baldus, "Tarascon. Viaduc", 1855, albumen print from a glass negative, 36.2 x 54.0 cm

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Édouard Baldus or Bisson Frères, Interior at Versailles, 1850s, salt print from a glass negative, 42.4 x 29.0 cm
Charles Marville, Interior of a Cathedral, circa 1864, albumen print from a collodion negative, 36.0 x 28.0 cm

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Dr. Hugh Welch Diamond, Arched doorway "Stone, Kent", 1850s, calotype negative, waxed, 20.5 x 16.4 cm

Alfred Backhouse, "Near Nice", before 1856, coated salt or light albumen print from a paper negative, 21.4 x 27.5 cm
Captain Linnaeus Tripe, The Great Pagoda, Munduppum, Madura, India, January-March 1858, albumenized salt print from a waxed paper negative, 36.6 x 30.6 cm

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Charles Nègre, Entrée de la Bibliothèque du Louvre, 1855, coated salt print from an albumen on glass negative, 33.6 x 24.1 cm on 34.9 x 25.3 cm paper

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Gustave Le Gray, West façade, Saint-Pierre Loupiac, Gironde département, Aquitaine, 1851, albumen print from a paper negative, 31.9 x 22.7 cm

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John Moyer Heathcote, Windmill in Anglia, circa 1853, calotype negative, 18.6 x 15.3 cm
Paul Émile Marès, Farmyard with ladder, 1850s, coated salt print from a paper negative, 22.6 x 31.1 cm 
Roger Fenton, "The Railway Yard, Balaklava", 1855, salt print from a collodion negative, 20.4 x 25.1 cm

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Édouard Baldus, Church of Saint-Pierre, Caen, 1858, salt print from a glass negative, 43.9 x 33.6 cm

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